Artistic Major Subject (Jazz) IV

Faculty

Institute of Music

Version

Version 9.0 of 02/04/2021

Code of Module

66B6125

Modulename (german)

Künstlerisches Hauptfach (Jazz) IV

Study Programmes

Musikerziehung - Jazz (B.A.)

Level of Module

4

Responsible of the Module

Weber, Florian

Lecturer(s)
  • Schimmeroth, Alexa-Kim
  • Wahl, Andreas
  • Niescier, Angelika
  • Seifert, Achim
  • Jasper, Burkhard
  • Thomé, Christian
  • Schoenefeldt, Christian
  • Donker, Gerold
  • K?ster, Frederik
  • Weber, Florian
  • Wingold, Frank
  • Duppler, Lars
  • Held, Pablo
  • Gramss, Sebastian
  • Schulze, Stephan Jochen
  • Rückert, Thomas
  • Winck, Volker
Credits

25

Concept of Study and Teaching
Workload Dozentengebunden
Std. WorkloadLehrtyp
54individuelle Betreuung
36betreute Kleingruppen
Workload Dozentenungebunden
Std. WorkloadLehrtyp
300Veranstaltungsvor-/-nachbereitung
300Prüfungsvorbereitung
Recommended Reading

Bei den folgenden Literaturangaben handelt es sich um eine Auswahl, die im jeweiligen Einzelunterricht instrumentenspezifisch erg?nzt wird:Mark Levine: The Jazz Theory BookMichele Weir: Vocal ImprovisationJ. Aebersold diverse Jazzconceptions, Jim Snidero / AdvanceJazzguitar Comping, Barry Galbraith / AebersoldA Chordal Concept for Jazzguitar, Peter o'Mara / AdvanceReading Studies for Guitar, William G.Leavitt / BerkleeMelodic Rhythms, William G. Leavitt / BerkleeEtüden für Klarinette, Fritz Kr?pschSolosuiten für Cello, J.S. BachPentatonics, Jazzline, Developing a Jazzlanguage, Jerry Bergonzi / AdvanceRealbooks/Omnibook/557 Jazzstandards - From Swing to BopThe Advanced Guitarist, Mick Goodrick / BerkleeJazztheoriebuch, Frank Sikora / SchottHow to Improvise, Hal Crook / AdvanceIntervallic Improvisation, Walt Weiskopf Jim McNeely: Claire Fisher: Sher Music:Sher Music: Jamey Aebersold: Bill Dobbins diverseJim Mc Neely David Liebman: Antonio Adolfo: 'The art of comping', 'Harmonic exercises', 'The Artistry of Bill Evans ''Chick Corea Now he sings now he sobs''Herbie Hancock Classic Compositions and Piano Solos ' 'McCoy Tyner Piano transcriptions''A chromatic approach to Jazz harmony and melody''Brasilian Music Workshop' Rebecca Mauleon: 'The Salsa Guide Book' Kenny Werner: 'Effortless mastery' Charlie Parker - OmnibookPaul Chambers - The Music of Paul ChambersSimandl - Kontrabass-SchuleSimandl - Etüden Rufus Ried - The Evolving Bassist John Goldsby - Bowing Techniques for the Improvising BassistRay Brown - Bass MethodMarc Johnson - Solokonzepte für BassChuck Sher - The Improvisor's Bass MethodD. Baker: The Jazz Style of Sonny RollinsEugene Rousseau: Das H?henregister des SaxophonsVolker Winck: Skript Fachdidaktik SaxophonJerry Coker: Patterns for JazzOliver Nelson: Improvisations- und StilübungenJerry Bergonzi: Melodische StrukturenJerry Bergonzi: Jazz LineD. Baker: The Jazzstyle of Cannonball AdderleyD. Baker: The Jazzstyle of John ColtraneJazz Artist Series (Don Sickler): The Artistry of John Coltrane J. Bergonzi: "Pentatonics" John Riley: The Art of Bop DrummingJohn Pickering: Studio/Jazz Drum CookbookDave Weigert: Workshop for Bass and DrumsGeorge Lawrence Stone: Stick ControlGeorge Lawrence Stone: Accents and ReboundsMitchell Peters: DexterityMitchell Peters: Intermediate Snare Drum StudiesCharlie Wilcoxon: 150 Rudimental SolosCharlie Wilcoxon: Modern Rudimental Swing SolosFrank Malabe/Bob Weiner: Afro-Cuban Rhythms for DrumsetDuduka da Fonseca/Bob Weiner: Brazilian Rhythms for DrumsetJohn Riley: Beyond Bop DrummingHerlin Riley/John Viadocovich: New Orleans Jazz and Second Line DrummingRoyal Hartigan: West African Rhythms for DrumsetBig Band ChartsSelbst erstellte Transkriptionen

Graded Exam

Examination of Artistic Qualification

Ungraded Exam

Regular Participation

Examination Requirements
Duration

2 Terms

Module Frequency

Winter and Summer Term

Language of Instruction

German